![]() Paperback edition of The Woman in the Window: Commerce, Consensual Fantasy, and the Quest for Masculine Virtue in the Russian Novel, Columbus, Ohio: The Ohio State University Press, 2016. "The Siege Starts Without Warning," translated from the Serbo-Croatian by Miljenko Jergovic, The New York Times Brian Bouldrey (Madison, WI: The University of Wisconsin Press, 2016), pp.155-162. "An Accidental Pilgrimage," in the book Inspired Journey: Travel Writers in Search of the Muse, ed. Bags, shoes, small leather goods, belts, bijoux for women and men encounter the essential characteristics of Valentino’s fashion with an aesthetic and contemporary vision, conveying the handmade details, typical of Haute Couture and the elements of. "Who's It For: Toward a Rhetoric of Translation," in At Translation's Edge, edited by Natasa Durovicova, Rutgers University Press, 2019. Valentino Garavani is the collection dedicated to accessories. "What Punk Rock Meant to Communist Yugoslavia," translated from the BCS of Miljenko Jergovic, I serve as chair of the board at Slavica Publishers, as well as co-chair on an NEH-funded project at the Center for Cultural Affairs in the O’Neill School of Public and Environmental Affairs, exploring the essential linkage between the humanities and cultural affairs. Embassy in Ukraine, in partnership with the National University of Kyiv-Mohyla Academy, for creating new programming in strategic communications at that institution. In 2022, I served as a juror for the National Book Awards in the translated literature category.įrom 2018 to 2022, I have served as the co-principal investigator (with Betsi Grabe, in IU’s Media School) on a $1M grant from the Public Affairs section of the U.S. I served as president of the American Literary Translators Association from 2013 to 2016. I am also the founder of and senior editor Autumn Hill Books, recipient of NEA literature fellowships for translation in prose (2002) and poetry (2010), and again prose (2016) and a PEN/Heim award winner in 2016. From 2009 to 2013 I served as editor-in-chief at The Iowa Review. My reviews, essays, short fiction, poetry, and translations have appeared in a wide variety of literary magazines and scholarly journals, including the New York Times, the Harvard Review, Slavic Review, Words Without Borders, Defunct, and the Buenos Aires Review. With colleagues Jacob Emery, Sibelan Forrester, and Tomislav Kuzmanović, I co-edited a special issue of Poroi: A Journal of Rhetorical Analysis and Invention on Rhetoric and Translation. My most recent publications include the translation of Miljenko Jergović’s mammoth family saga Kin(Archipelago Books 2021), the essay “Who’s It For? Toward a Rhetoric of Translation,” in the volume At Translation’s Edge (Rutgers University Press, 2019), the co-edited (with Esther Allen and Sean Cotter) volume The Man Between: Michael Henry Heim & a Life in Translation (Open Letter Books 2014), and the monograph The Woman in the Window (Ohio State University Press 2014 paperback 2016). I’ve written two scholarly monographs, co-edited three collections of scholarly and artistic works, and translated eight books of literature from Bosnian/Croatian/Serbian, Italian, and Russian. ![]() Slavic and East European Languages and Cultures B.A.“Most of our statements came to be because we are romantic we don’t like to throw away things we like or that bring good luck.” Here’s wishing continued good fortune to the designer whose red dresses serve as a reminder that Roma spelled backwards is Amor.The College of Arts & Sciences Department of Slavic and East European Languages and Cultures He did red once, and now you have red in every collection,” his business partner Giancarlo Giammetti told Vogue in 1985. ![]() “Valentino has superstitions that became status symbols. “When you see a woman in a beautiful red evening dress, it’s really something special,” Valentino has said, and he’s proved the point over and over since showing his first red dress, called Fiesta in 1959. Valentino Garavani has the rare distinction of having his own Pantone colour, Valentino Red, and in lieu of a toast we’ve collected a host of elegant looks in his namesake colour. ![]() It’s a sentiment we’d like to repeat as the designer celebrates his 90th year – in great style, of course. “Valentino, live 100 years!” declared Jacqueline Kennedy in 1966. Photo: Pascal Chevallier / Gamma-Rapho via Getty Images Valentino Garavani in Rome with his models, circa 1999. ![]()
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